In fact, the Peace Garden had history that antedated Saidy’s
act of creation. Regent Park was on the verge of a thorough renovation –
Re-Vitalization, it was being called. Canada’s oldest, and largest, public
housing developments was entering a new phase. Regent originally came about in
the 50’s in response to a call for urban renewal. It replaced a community of
shanties and tenements that housed the working and unemployed poor in the
post-war years. It brought then modern concepts of high-rise, urban villages into
practice, creating a community cut off from the surrounding city in key ways.
There were no thru-streets in the original project of twenty-some acres, keeping
it apart from the grid of city streets and the traffic that they carry. When
the development reached its full 66 acres, only Dundas Street, a busy, main
thoroughfare, bisected it, creating an unintended sense of north versus south
that endured the following decades.
There were also no grocery stores, banks, or phone booths to
serve the roughly ten thousand inhabitants, nor a high school. This meant that,
while residents were forced out of the community to meet basic needs, there was
little to draw people into it’s borders, reinforcing Regent’s identity as a
place apart. This car-less nature of the community was advantageous in some
ways. Notably, it created family friendly areas where mothers could congregate
and allow their children to run and play. But there was also the unintended
consequence that it made policing more difficult. Various corners of Regent
became ideal for drug transactions, and as loitering spots for the youth who
turned to “the game” for economic survival and street culture status.
Elsaida’s garden was a Peace Garden for a reason. She herseIf
had lost her son to the violence of game. And as had formed the Dreamers as a
collective with other mothers who’d endured this loss. The name, “Dreamers”,
was not only an expression of the group’s hopes for a better future for the
community. It also honored Saidy’s gift or seeing and being inspired via her
dreams. She’s been forewarned of her son’s death via a dream, and first
glimpsed the reality of her garden through another. This lovingly cultivated
plot of land was meant as a memorial to the many community youth who lost their
lives as a consequence of this game, and through other forms of violence.
The Peace Garden was one in a series of responses that
Regent Park has made to its various challenges. Other responses include the
creation of one of the first Community Health Centres, the formation of a wide
variety of small non-profits and resident groups, to promote culture, serve
children, youth and the elderly, and to address issues like newcomer adjustment
to life in Canada. It was Regent Park, via the Health Centre, that gave rise to
Pathways to Education, a tremendously successful, multi-pronged approach to
decreasing drop-out rates, improving academic achievement, and getting more
youth into universities and colleges. And Pathways is now being adopted by
communities across Canada, standing now as one of Regent Park’s main
contributions to the rest of the world.
By the time of Saidy’s act, the community had been lobbying
for more than two decades for an overhaul of Regent, to upgrade it’s crumbling
infrastructure, and to link it back into the web of city streets, in the manner
that Jane Jacobs, Toronto’s guru of community design would’ve advocated. What
resulted was a three year process of planning and consultations that finally
initiated a complete rebuilding of Regent Park – one that is to be so thorough
that there are fears as to whether the identity, cohesion and activism of the
former community will survive.
Last night, I did something I used to do almost daily, but
hadn’t in a few years - I took a good long walk through Regent Park, to see
what was new and changed. I went into the new CRC building, where a community
dinner was going on, provided by other neighborhood churches on a rotating
basis. I stopped by the new Aquatic Centre, just opened a couple of weeks ago,
a replacement for the old, outdoor pool that was closed two years ago. I made
my way to the Daniel’s Spectrum, a long dreamed of Culture & Art Centre
that seemed impossibly far from realization when groups lobbied for it in
community meetings five years ago. That building in now the home of various
groups that previously occupied basements and converted residential units in
the old high-rises: the ArtHeart arts program for kids, the Regent Park School
of Music, The Regent Park Film Festival, and other groups from around the City
that have joined forces for the revitalization of Toronto’s urban core, like
the Centre for Social Innovation and Artscape.
What I found missing on my walking tour however, is Elsaida
Douglas’s Peace Garden. I was shocked to learn from passing residents that the
garden was removed when a through street had to be created. I asked in vain for
news about it being moved, or perhaps awaiting its own revitalization in the
new park that’s to be developed next to the aquatic centre. No one could tell
me anything. That made me wonder about Saidy. Where is she these days. I can’t
imagine her allowing the bulldozing of her park without a fierce fight. Her
original act of creation and defiance – on that day when she created her garden
with a shovel and a dream – came in the face of Toronto Community Housing
Corporation’s intransigence, as she and others demanded certain features in the
new Regent Park. I was reminded, during that night of my walk, that creative
tensions aren’t always apparent on the surface; the signs we see don’t always
tell the full story.
As I walked through the Daniel’s Spectrum, however, which is
vibrantly alive with art, I came upon a painting of The Peace Garden. It’s a
beautiful work, by David Louis Wall. I was so glad to see that. So many signs
of the old Regent – both good and bad – have vanished or are vanishing. Most of
the people I happened upon and spoke with last night are new to Regent. They
weren’t familiar with the old community spaces and buildings, pools and
schools. But seeing Wall’s painting gave me a shot of excitement and hope. Something
of the old Regent remains under this glimmering facade of the new. What’s ahead
isn’t clear. But, from my way of looking at things...that’s a good thing. It
reminds me that, on any given morning, an Elsaida Douglas, a private citizen,
struggling and surviving the challenges of their own life, can step out into
the public sphere, and surprise us.